Note chasing triggers MIDI notes even if playback starts in the middle-the note doesn’t need to be started from the beginning to hear pads or other sustained notes.Groups within groups improves Set organization even with lots of tracks and a detailed arrangement-multiple tracks and groups can be folded together for a simple overview.Browser Collections provide at-a-glance access to favorite or most-used musical elements.Arrangement View improvements such as nudging, time stretching, one-key zooming and drag-and-drop track duplication make editing faster and easier.Multiple MIDI clip editing shows the content of two or more clips in one view for better control of the musical relationships in a song:Įditing two MIDI clips at the same time (click to zoom).Capture ( video above) recalls an idea after it has been played and turns it into a MIDI clip with feel and groove intact-a fast, intuitive way to turn spontaneous inspiration into music.And a range of optimized themes improves visibility in all environments. ![]() Live’s interface has been updated to be cleaner and clearer with sharper graphics and refined colors.This means that the user interface, MIDI editing, browsing, and mixing all have seen substantial upgrades: One of the main focuses of this new update seems to be Ableton wanting to improve the way that most people spend their time in the software. Not just for guitars, it excels at warming up vocals, driving synth sounds or smashing drums. Pedal features three separate circuit-level models of overdrive, distortion and fuzz guitar pedals.Drum Buss is an all-in-one drum sculpting tool for adding warmth, adjusting transient response, injecting low end and more.Echo delivers sounds from classic analog and digital textures to diffused soundscapes, wailing feedback and other experimental atmospheres. ![]() It’s vast sonic palette is created with a variety of waveforms derived from analog synths and a range of other instruments and sounds, as well as modeled analog filters, and deep, flexible modulation. Live is getting a new synth, plus new built-in effects: If you want to read more about the new features and updates, check out the full list of items with some examples videos here.Wavetable (New Synth) + 3 New Effects Wavetable Synth and Echo effect (click to zoom) Lastly, Ableton also threw in a slew of new devices and instruments that help you manipulate your signal and create new sounds. ![]() With Live 11, you’re now able to set the tempo dynamically by choosing which instrument input you want the tempo to match and Live will automatically update the tempo in real time! This is an amazing feature because it allows you to really jam out in live sets without having to worry about if your filters are going to stay at the same tempo as your drummer’s kick drum. You can also adjust how reactive Live is to your MPE data points.Īnother feature that I believe to be a big selling point on this new version is the tempo following for live sets. Essentially this feature will allow you to add bends, slides, and pressure per note through your MPE. This is something that I see being the biggest step up between Live 10 and 11.Īdditionally, you can use your favorite MPE (MIDI polyphonic expression) controller to add more “feeling” to your tracks. With Live 11, comping is one of the features that producers are most excited to see as it allows you to continuously record as each take is placed into a new “lane.” Ableton has decided to call each new take that you record a “lane” and allows you to rename them, use only the best parts for them, and integrate them with MIDI. I wanted to take a moment to recognize some of the bigger updates like a new comping feature and big changes to enhancing your live show.Ĭomping is something that other DAWs have given producers for years now, however Ableton has taken some time to implement it into their platform. Ableton has finally announced the newest version of Live, disclosed today to be hitting the “shelves” in early 2021.
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